Mandolina y Guitarra

Autor: Carlos Blanco Ruiz

Para: Mandolina y guitarra

Video del estreno

Autor: Baldomero Cateura

Digitación y signos de púa: Pedro Chamorro Martínez

Arreglo para guitarra: Carlos Blanco Ruiz

Para: Bandurria y piano, bandurria y guitarra, mandolina y piano, mandolina y guitarra

Autor: Baldomero Cateura

Digitación y signos de púa: Pedro Chamorro Martínez

Arreglo para guitarra: Carlos Blanco Ruiz

Para: Bandurria y piano, bandurria y guitarra, mandolina y piano, mandolina y guitarra

Autor: Fritz Pilsl

Para: Dos Mandolinas y Guitarra

Autor: Francesco Piccone

Para: Mandolina barroca y guitarra

Francesco Piccone (1685-1745)
Sinfonia per la Mandola
for baroque mandolin and guitar
arr. by Marga Wilden-Hüsgen
Continuo: Michael Tröster

level of difficulty: medium

Autor: Bartolomeo Bortolazzi

Para: Mandolina y guitarra

Bartolomeo Bortolazzi
Thema VI con Variationi aus op. 10
for mandolin and guitar

level of difficulty: medium

Autor: Tommaso Prota

Para: Tres mandolinas y guitarra

Tommaso Prota (ca. 1727 - nach 1768)
Sinfonia
for three mandolins and guitar
arr. by Marga Wilden-Hüsgen
Grenzland Edition

level of difficulty: medium

In his short life, Tommaso Prota wrote only a few works. The Sinfonia is a colorful work, not only in the trio-instrumentation accompanied by the guitar. It is also suitable for a plucked orchestra with the instrumentation: M solo, M I, M II, Lute and Bass

Autor: Leonhard de Call

Para: Mandolina y guitarra

Leonhard von Call (1767-1815)
Variationen op. 8
for mandolin (violin) and guitar
arr. by Marga Wilden-Hüsgen

level of difficulty: medium

Die Variationen op. 8 sind ein überaus reizvolles Stück Wiener Hausmusik, auch heute noch mit großer Wirkung auf die Zuhörer. Die Mandoline ist mittelschwer, die Gitarrenstimme ist leicht. Ich empfehle den Spielern, das Thema in ruhigen Achteln zu nehmen, Variationen I bis V im gleichen Tempo, Variation VI als Largo, Variation VII als Allegro und die letzte Variation wieder Tempo primo. Eine gute Wirkung kann erzielt werden, wenn nach der VIII. Variation noch einmal das Thema erklingt.

Autor: Prospiero Cauciello

Para: Dos mandolinas y guitarra

Prospero Cauciello (1730-1790)
Trio C-Dur
for two mandolins and guitar
arr. by Marga Wilden-Hüsgen
continuo: Marlo Strauß

level of difficulty: medium

The trio no. 4 in C major is a chamber music in the galant style, the music that in the second half of the 18th century, especially in France was very popular. Effective chamber music, which will be a highlight of both students foreplay, and in the orchestral concert.

Autor: Gabriele Leone

Para: Mandolina y guitarra

Gabriele Leone (1725-1790)
Sonata No. 2 Op. 2 (12'30)
for mandolin and guitar
arr.: Marga Wilden-Hüsgen
Continuo: Marlo Strauß

level of difficulty: high

The Sonata is technically demanding, this is particularly true for the proposals. They should be played elegant and lightly. In this way the character of the sonata can be emphasized. The unquantified basso was arranged for the guitar. An unusual and very effective Sonata, with which the performer musically can shine

Autor: Charles Baron d’Aichelbourg

Para: Mandolina y guitarra

Autor: Charles Baron d’Aichelbourg

Para: Mandolina y guitarra

Autor: Georg Friedrich Händel

Para: Mandolina y guitarra

Autor: Mirko Schrader

Para: Mandolina y guitarra

Autor: Abbate Ranieri Capponi

Para: Mandolina y guitarra