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61 - 85 de 85 resultados
N.º de producto: DZ 1814

Autor: Vincent Beer-Demander

Colección: Vincent Beer-Demander

Para: Mandolina y piano

20 p. + partes

Nivel: Intermedio

 

13,70 *
N.º de producto: DZ 3192

Autor: Mike Marshall

Colección: Vincent Beer-Demander

Para: Mandolina y piano

16 p. + la parte para mandolina

Nivel: Avanzado

 

14,75 *
N.º de producto: N 1701

Autor: Ludwig van Beethoven

Para: Mandolina y Piano

13,90 *
N.º de producto: astute 514-34

Autor: Eileen Pakenham

Editado: Barbara Pommerenke-Steel

Para: Mandolina y piano

Nivel: Intermedio

9,00 *

En existencias

N.º de producto: ASTUTE 514-30

Autor: Eileen Pakenham

Edición: Barbara Pommerenke-Steel

Para mandolina y piano

Nivel: Intermedio plus

Información:

This is a very atmospheric piece in which Eileen Pakenham uses the harmonies to get advantage to create a mysterious scene of Birds over Grey Water. There are a number of tempo changes which should be observed carefully.
Right Hand Stroking:
The use of right hand techniques follows a recording by the piece by Eileen Pakenham and Irene Bone. Symbols or words have been added to show where you are asked to use down or alternate stroke. In all other places you are asked to use tremolo. Use continuous tremolo where the notes have been connected with slurs. Players who differentiate between 2:1 and 2:2 alternate stroke can make their own choice where to use which technique.

 

 

9,00 *

En existencias

N.º de producto: ASTUTE 514-20

Autor: Eileen Pakenham
Edición: Barbara Pommerenke-Steel
Para mandolina y & piano
Nivel: Intermedio Plusntermediate Plus (Grade 6)

 

Información:

This edition tries to give a clear transcript of the handwritten manuscript of Eileen Pakenham. In her hand, many staccato markings were added which in this edition are interpreted as “non tremolo”.

All tremolo notes are shown. Notes which are written under one slur should be played using a continuous tremolo. Performance markings (e.g. dynamics, ritardandi) which have been added are written in brackets.

9,00 *

En existencias

N.º de producto: ASTUTE 514-23

Autor: Aileen Pakenham
Edición: Barbara Pommerenke-Steel
Para mandolina y piano
Nivel: Intermedio Plus

Información:

This is another charming piece for mandolin & piano by Eileen Pakenham

Right hand stroking:
The Staccato dots should be interpreted as non-tremolo.
The player is encouraged to add articulation to support the light-footed character of the piece.

 

9,00 *

En existencias

N.º de producto: ASTUTE 514-15

Autor: Raffaele Calace
Edición: Alison Stephens
Para mandolina y piano
Nivel: Intermedio

Información:

Three of Calace’s most popular and accessible Intermediate level pieces.

  • Rondo, op.127
  • Romanza, op.134
  • Tarantella, op.18

Calace wrote over 170 pieces for mandolin altogether ranging from easy Waltzes (also available from Astute: 4 Easy Waltzes for Mandolin solo with optional guitar accompaniment) through to his two large scale and challenging Concerti. Much of his music is whimsical, charming and, occasionally, frivolous; but he has also written many emotionally charged pieces of some substance.
These are three of Calace’s most popular and accessible Intermediate level pieces. Some of Calace’s pieces for mandolin and piano had alternative guitar parts written by the composer, but many have been arranged with guitar parts over the years by different players and publishers. All three of these pieces work equally well with either piano or guitar accompaniment. Each piece throws up its own challenges for the player and can be treated in different ways according to the player’s individual abilities. Above all, each of these three pieces is fun and rewarding to play.

Performance Note: I have endeavoured to be faithful to Calace’s original tempo and dynamic markings. However, in several instances I have added my own markings to add more interest or to clarify the commonly used musical approach. Any editorial markings are in square brackets e.g. [accel.].
During Calace’s lifetime tremolo was very popular and was used on all kinds of phrases. However, these pieces work very well with lots of different approaches to tremolo; if the player is very competent then there are many places when tremolo can be utilised to great effect, but if the player is less confident or would like to try a fresher, different approach then these pieces can benefit from a more judicial use of tremolo. For these reasons, I have not in any way suggested where to, or where not to, use tremolo beyond Calace’s own original phrasing marks. It is worth noting that staccato marks were often used in this period of writing to indicate “non tremolo” and not necessarily the true meaning of the marking.
There are also a multitude of opportunities for using position playing and alternative fingering in these pieces. Again, for this reason I have used fingering and position markings sparingly. Players capable of playing these pieces should be at a stage in their ability when they can make these decisions for themselves and also explore many different options. 

11,50 *

En existencias

N.º de producto: MAN 1

Author: Giovan Battista Gervasio (first half 18th century)
Editor: Ugo Orlandi, Stefano Franzoni
Edition: Score and Parts
Pages: pp. 24 + parts pp. 12

17,95 *
N.º de producto: MAN 5

Author: Giovan Battista Gervasio (first half 18th century)
Editor: Ugo Orlandi, Stefano Franzoni
Edition: Score and Parts
Pages: pp. 20 + parts pp. 6

15,95 *
N.º de producto: MAN 6

Author: Giovan Battista Gervasio (first half 18th century)
Editor: Ugo Orlandi, Stefano Franzoni
Edition: Score and Parts
Pages: pp. 28 + parts pp. 12

18,95 *
N.º de producto: MAN 7

AuthorGiovan Battista Gervasio (first half 18th century)
Editor: Ugo Orlandi, Stefano Franzoni
Edition: Score and Parts
Pages: pp. 24 + parts pp. 6

16,95 *
N.º de producto: MAN 8

Author: Giovan Battista Gervasio (first half 18th century)
Editor: Ugo Orlandi, Stefano Franzoni
Edition: Score and Parts
Pages: pp. 28 + parts pp. 12

18,95 *
N.º de producto: MAN 9

AuthorGiuseppe Paolucci (1727-1776)
Editor: Ugo Orlandi, Stefano Franzoni
Edition: Score and Parts
Pages: pp. 20 + parts pp. 6

15,95 *
N.º de producto: MAN 10

Author: Giuseppe Paolucci (1727-1776)
Editor: Ugo Orlandi, Stefano Franzoni
Edition: Score and Parts
Pages: pp. 20 + parts pp. 12

17,95 *
N.º de producto: MAN 11

Author: Giuseppe Paolucci (1727-1776)
Editor: Ugo Orlandi, Stefano Franzoni
Edition: Score and Parts
Pages: pp. 20 + parts pp. 12

17,95 *
N.º de producto: MAN 12

Author: Giuseppe Paolucci (1727-1776)
Editor: Ugo Orlandi, Stefano Franzoni
Edition: Score and Parts
Pages: pp. 20 + parts pp. 12

17,95 *
N.º de producto: MAN 13

Author: Giuseppe Paolucci (1727-1776)
Editor: Ugo Orlandi, Stefano Franzoni
Edition: Score and Parts
Pages: pp. 20 + parts pp. 12

17,95 *
N.º de producto: MAN 14

Author: Giuseppe Paolucci (1727-1776)
Editor: Ugo Orlandi, Stefano Franzoni
Edition: Score and Parts
Pages: pp. 16 + parts pp. 10

16,95 *
N.º de producto: MAN 2

Author: Giuseppe Paolucci (1727-1776)
Editor: Ugo Orlandi, Stefano Franzoni
Edition: Score and Parts
Pages: pp. 16 + parts pp. 12

16,95 *
N.º de producto: KM 2046

Bartolomeo Bortolazzi (1773-1840)
Sonate (12')
for piano and mandolin
arr.: Peter Johnen

level of difficulty: medium

The "Sonate pour le pianoforte avec accompagnement d'un Mandolin" differs from classical mandolin sonatas. Both instruments are of equal part in the motivic work.

17,50 *
N.º de producto: KM 2087

Manfred Hollmann (*1928)
Concertino per due
for mandolin and piano
duration: 12'

level of difficulty: high

The attractive „Concertino per due” is recommended as a concert piece, but is also suitable as a performance piece for the competition „Jugend musiziert” in the category Contemporary Music for the age group IV.

16,00 *
N.º de producto: KM 2010

Kurt Schwaen (1909 - 2007)
Vision orientale
for mandolin (violin) and piano

level of difficulty: medium to high

11,00 *
N.º de producto: ZM 18070

Autor: Ludwig van Beethoven

Para: Mandolina y Cembalo o Mandolina y Guitarra

  • Adagio
  • Sonatine c-Moll
  • Sonatine C-Dur
11,50 *
N.º de producto: T 6690

Autor: L. V. Beethoven

Reconstrucción y arreglo: Frank Löhr

Para: Mandolina y piano

13,75 *

En existencias

*

Los precios incluyen el IVA

61 - 85 de 85 resultados